A charango player summons different spirits, old and new, with her melodies. Some are memories, some are dreams, and some are creatures that existed before the sun and like to come out and dance.

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This exhibition invites the audience to immerse themselves in the visual and sonic landscapes of En tu infinito through an immersive experience. As visitors move through the installation, they engage in a dialogue with the objects and videos, as well as with the connections these evoke between migration, culture, and contemporary experience. ETI, Las Reliquias emphasizes the encounter between traditional Bolivian clothing and imagery and more contemporary, globalized visual elements. A motorcycle helmet is adorned with traditional ornaments from the ritual Tinku dance, while a pair of sneakers is rusticly merged with traditional Pujllay sandals. Additionally, fragments of the video were intervened by the AI artist Portrait XO, who treated the images as transformed relics that function simultaneously as object and image.

Flor de Pantano is the performance born from En tu Infinito, the short film. It is a contemplative, humid terrain on the edge of eruption. Through the constant shifting of figures — warrior/host, perreo dancer, DJ — the performance moves from an internal, condensed space to an expanded one, transferring the performer’s role to the audience. Its aim is to expand the performative body by creating a collective body at the intersection of choreography, audience participation, and musical practice.

Flor de Pantano at Gallery Weekend